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  • Moz DA 26
Categories
  • Fine Art
  • Dance
  • Family and Relationships
Highlights
Maria Kochetkova – "STYX" by David Dawson – La Personne

For me it is a dance about the final stage of life ’s journey, and the crossing of the mythological river Styx into the next realm. It embodies that last moment, the final gasp of of breath, vitality, and the creativity of the soul. It is about the bright light before a new stage begins.

Margarita Mamun – Olympic Champion in Rhythmic Gymnastics – La Personne

All the team proposed the music: Irina Zenovka, Amina Zaripova (Margarita’s personal coach – editorial note), Irina Viner and sometimes Tatiana Pomerantseva We liked The Elegy by Rachmaninoff in the performance of Evgenia Kanaeva and we took this music but in different cover at the Olympic Games for ball exercise and we performed to Stravinsky at Mariinsky Gala devoted to the 80th Anniversary of rhythmic gymnastics. If Irina Viner didn’t like the music, I offered Tchaikovsky immediately, but she told that this composer required totally new exercise but not the ready one adjusted. Regarding the last exercise with the clubs, Irina Alexandrovna hadn’t agreed with We Will Rock You during few seasons and initially an absolutely different exercise was prepared for the Olympic Games under another music.

Film "The Dreamer" about leading ballerina of the Kremlin Ballet – La Personne

After graduating from The Moscow State Academy of Choreography our heroine had quit ballet for five years, she had a child and lived a life far from ballet. The shootings of this film took place while she was preparing one of the most difficult parts of the classical repertoire in The Swan Lake. The film is created under the support of R-Class. Heartfelt thanks to the founder of the company Roman Kukushkin. Special thanks to the State Kremlin Palace for the assistance in film creating.

Maria Seletskaya – The conductor – La Personne

I have got many versions told by people who know Heinz Spoerli (Former Artistic director and choreographer with the Zurich Ballet Company). I know he hasn’t liked my music lessons, the pianists have told me about it. The conductor of the performances knew that I was interested in music and offered to come to the orchestra rehearsal. The conductors have different attitude towards the ballet music, some of them do not suppose to play under the dancers’ feet.

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